Why does the Maxim Institute Hate Democracy?

Earlier this month, the Maxim Institute, a far-right think tank based in Auckland published an article about the urban/rural divide in New Zealand.The institute has done some “research” that indicates that there are differences in lifestyles and attitudes between regions in New Zealand. They forecast that a greater proportion of the population will live in urban centres (70% in 30 years time). Strangely the institute chooses to frame this as a problem:

That’s a lot of urban voters, and it’s going to be very tempting for politicians to focus more and more on urban interests in order to win those votes, possibly at the expense of the rest of the country.

It could also make it easier for urban voters to ignore or mock the interests of voters living in very different communities.

I don’t see the problem. If the vast majority of the population lives in urban areas, then it is only right that politicians focus on urban interests. That’s democracy in action. It’s also assuming that policy development is a zero-sum game. This is not strictly true, a policy designed to help urban dwellers does not necessarily harm rural dwellers.

Let’s also keep in mind that the opposite situation exists at present. Politicians already prioritise property owners and corporations at the expense of ordinary people. Policies such as irrigation schemes and the dilution of water quality standards are designed to benefit rural voters while harming the interests of the wider public. Why doesn’t the Maxim Institute write about these issues instead of this one that they made up?

It’s worth mentioning that the urban-rural divide is a cornerstone of political analysis in USA, where it plays a massive factor in elections. Donald Trump can credit the urban/rural divide with handing him the presidency that he didn’t deserve. The electorate is divided into a series of winner-take-all states where the number of electors is not proportional to the state populations. Narrow victories in swing states and the over-representation of small rural states turned a 2.7 million vote deficit into a 77 vote surplus in the electoral college. By preserving and accentuating a bias in favour of rural areas, the American right-wing have been able to engineer electoral victories in the face of popular defeats.

When we keep this in mind, the motives behind the Maxim Institute’s article become much more sinister. They don’t say it, but it is implicit that they think that the electoral system should be redesigned. I imagine they would want something less proportional, like FPP that favours rural constituencies. Never mind that FPP has been rejected by the public twice during the past two and a half decades.  While they may cry crocodile tears about their contrived decline in rural areas, this is all about securing right-wing power over New Zealand for years to come.

As things stand NZ has a very proportional voting system. There is no reason for this to ever change. If the increase in the numbers of urban voters is a problem for the political right, the problem is with them, not with the voters and not with the electoral system. If this is typical of the standard of work that the Maxim Institute is producing, urbanisation should be the least of their worries.

Another Great Kiwi Invention to not be Proud of

In my final year of undergraduate study, I worked in a group of 4 people to design a chlor-alkali process plant. One of the interesting parts of this process is that you produce chlorine and sodium hydroxide. We needed to make sure that our process was positioned such that there was sufficient demand for both the chlorine and the sodium hydroxide.We obviously went for a membrane cell design because the other main types (mercury and diaphragm) use mercury and asbestos respectively. Sad!

After the usual jokes about supplying chemical weapons to dubious customers (which doesn’t sound so funny anymore), we settled on Australia. We would sell the chlorine to a PVC manufacturer in Victoria, the NaOH to the mining industry for bauxite processing and we would use the reject stream from a reverse osmosis desalination plant. Concentrating the brine solution was one of the trickiest parts, so it seemed helpful to have the hard work done for us, and it would reduce the damage done to the environment by the desalination plant.

However, it wasn’t that simple. The RO brine wasn’t concentrated enough! Thus, we opted to bump up the feed concentration using electrodialysis (I believe the recycle brine stream was concentrated using multi-effect evapouration). Such an approach was used with a plant in Kuwait (now called Al Kout Industrial Projects Company).

Despite using an innovative and efficient set-up, the profitability was very sensitive to the price of NaOH. If the price is too low, you may as well not bother.

I was thrilled to discover that there was another application for the chlor-alkali process: Te Kiri Gold magic water of course! You don’t even need to worry about concentrating up the feed solution, just dunk your electrodes in and go! Then approach vulnerable people, who will believe that it will solve their problems. Even better, get some rugby has-been to endorse it. Then charge $100 for 2 litres.

So our Victorian chlor-alkali plant used 5.9 million t/y of RO brine . Of that, 5.2 million t/y of that was electrodialysis dilutate, with a NaCl concentration of 32 g/L which I presume was dumped back into the sea. Instead of doing this and have to pay some kind of dumping fee (which we didn’t consider in the cashflow analysis) let’s make some magic water! As a volume, that is 5.2 million L/y. Given that no separation is required, the only operating cost is that of the electricity. At $50 per litre, the plant could make $260 million/y in revenue from magic water alone! The revenue from the chlorine and NaOH was only $160 million/y, and these were also much more expensive to produce.

There are a few issues to consider. First is demand; while there are enough people to defraud to make it worth the while of the shareholders, there aren’t enough people to defraud on such an industrial scale. The second is efficacy: MAGIC WATER DOESN’T FUCKING WORK! The third is ethics: could you live with yourself if you knowingly sold ineffective products that were giving people false hope? The dumbarse who manufactures this product doesn’t have this problem as his knowledge is woefully deficient. His claims of wanting to help people would be more believable if he wasn’t charging such an extortionate amount for it. Maybe he’s just that bad at business and that is what he needs to do to cover his costs.

I’m disappointed by the media coverage. The Stuff.co.nz articles are clearly aimed at the already sceptical, who will read the first few lines and snort with laughter. However the more easily misled may not pick that up. The expert criticism of the product only features at the end of the article where it’s less likely to be read. The Herald is worse, their “investigation” is a one-on-one chat with the manufacturer whose incorrect answers to the reporter’s questions go unchallenged. One Herald “article” is nothing more than an anecdote from one of the scam victims. The media has a responsibility to protect the public and needs to take a stronger view against Te Kiri Gold, which should be shut down immediately.

I Also had a Go at Redesigning The Sun

While I was derping about on The Guardian earlier, I came across a story that got me thinking. British artist David Hockney was given the opportunity to redesign the masthead of the vile The Sun “newspaper” for a one-off edition. The only familiarity I have with Hockney’s work is from other pieces in The Guardian. The comment sections are mixed, there are those who blindly profess their love for his pieces and those who criticise the simplistic nature of his work. I tend to side with the latter body of thought.

The masthead is in the style of his iPad paintings, where a sun and light rays wobble across the background.  The nature of this medium brings about visible demarcations between finger/stylus strokes. I think the works have some level of charm due to the roughness of iPad painting, but roughness can be achieved by anyone on a tablet computer. I think the works are fairly inane and devoid of purposeful meaning.

Hockney takes pride in this work because he is a life-long fan of the paper. Which is a shame, The Sun has a shocking history of bigotry, misogyny, false reporting and political interference. Artists are stereotypically perceived as deep thinkers, which translates to great works with hidden meanings accessible only to those who study and take the time to analyse a piece. Given that Hockney apparently hasn’t been concerned by the misdeeds of The Sun, I can’t help but wonder if the lack of meaning in his work is driven by an absence of curiosity and critical thinking when he picks up the iPad.

The Guardian art critic, Jonathan Jones wrote an obsequious piece about how the redesign was a work of genius and presented “an optimistic vision of the world’s beauty”. I would agree if it weren’t for the bit that where there are the letters that spell out “The Sun”, which serves as a multiplier of hatred and ugliness.

So I thought I would have some fun and have a go at my own redesign of The Sun masthead. After all, I have plenty of Merit credits in NCEA Visual Arts. Lovingly crafted in Microsoft Paint. I think it does a good job of representing The Sun.


Figure 1. The Sun Masthead Redesigned – Zeitungfürkatzen 2016. Google image on MS Paint.